Wednesday 16 November 2016

RESEARCHING SOURCES finding information


LCA Library
1: The cartoon history of Britain.  /  Jones, Michael Wynn  (1971)

2: Illusive: contemporary illustration and its context.  /  Klanten, Robert (ed.)  &  Hellige, Hendrik (ed.)  (2005)


3: A life in illustration: the most famous illustrators and their work.  /  Hellige, Hendrik (ed.)  &  Klanten, Robert (ed.)  (2013)


Google Books (preview)
1: ‘the art of controversy’- Victor S Navasky

2: The Visual Dictionary of Illustration - Page 179 ‘Political illustration- Mark Wigan

3: State of the Art: Illustration 100 Years After Howard Pyle
By David Apatoff


Google Scholar
1: The Power of Political Art: The 1930s Literary Left Reconsidered
By Robert Shulman

2: A generative theory of textbook design: Using annotated illustrations to foster meaningful learning of science text Mayer, R.E., Steinhoff, K., Bower, G. et al. ETR&D (1995)


3: Illustration: a visual history S Heller, S Chwast - 2008


Websites
1: https://www.transitionculture.org/2013/05/28/sir-quentin-blake-and-the-power-of-illustration/

2: http://edition.cnn.com/2014/11/10/world/gallery/the-power-of-illustration/

3: http://www.illustrationhistory.org/genres/cartooning-political


JStor
1:
The Influence of Technical Illustrations on Students' Comprehension in Geography
Kenneth N. Purnell and Robert T. Solman
Reading Research Quarterly
Vol. 26, No. 3 (Summer, 1991)

2: "Old Abe" in Political Caricature: Revisiting the Drawn Lincoln
Gary L. Bunker

3: USE OF CONCRETE ILLUSTRATION IN TEACHING-
JOHN D. BROOKS


using these different methods i managed to find a wealth of relevant information, its all arguing against the argument within my chosen quote. Im going to argue against the quote using an argument created from information found in the places in the table above. I think this should be fine to do all i also naturally disagree with the quote so i will be arguing in support of my opinion. Illustration has power and influence, it is not withdrawn from the big debates of our society to focus on the chit-chat and tittle-tattle of inner-sanctum nothingness.  I will argue and attempt to prove that contemporary illustration is still very much involved in societies big debates